An Introduction to Puppetry
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An Introduction to Puppetry

The Essence of the Puppet

Course Summary

What is a puppet?

A puppet is an instrument or object - a vessel to hold energy - the energy can be transmitted through it, but it cannot store the energy like a battery.  When you put the puppet down, it ceases to exist - it is no longer alive.

In this introductory puppetry course, you will learn and discover the basics of eight different puppetry techniques -
- used in performance, education and therapy:  

*  Giving life to brown paper;
*  Object animation;
*  Glove puppetry;
* ‘Marionnete a Triangle’;
*  Muppet-style puppet;
*  Paper Playback puppetry;
*  Shadow puppetry  
*  A brief dive into the work of Australian Shadow master, Richard Bradshaw.

Course Curriculum

Gary Friedman Bio

Gary Friedman is a puppeteer, animator and film-maker, who initially developed international adult-education puppetry and film projects based on HIV- AIDS, Democracy, Corruption, Abuse and Prisons work starting in the eighties.  
Brought up in Apartheid South Africa, Friedman unleashed his puppets on the streets in Cape Town, to take on the regime’s harsh suppression in 1980. ‘Puns en Doedie’ (Puppets Against Apartheid) used satire to reflect the news and views of the people on the streets.  In 1987, Friedman studied ‘Puppetry for Film and Television’, with Muppet-master Jim Henson.  

After many years of producing ‘Puppets Against Aids’ internationally, Friedman co-produced a voter education television series for South African’s first democratic election in 1994.   In 2001, Friedman took up residency in Australia and became an international Puppetry-in-Education consultant, while at the same time producing documentary and stop-motion animation films.

Today he teaches puppetry and stop-motion animation at schools and universities around the world and in-between, creates short stop-motion films in his studio in Melbourne, Australia.  As a recent convert to Stop-Motion, after working for fifty years in the world of puppetry, Friedman discovered the links between the two arts fascinating and extraordinary. The vital roles of breath and performing without human language, as well as using humour to tackle socio-political issues have always been the signature elements of his work. 

Course Price

‘I enjoyed this workshop a lot, because we made something alive and creative. Thank you!’

Livia, Teacher, 
American International School of Budapest

‘I find it extraordinary that you can ask the students to hide behind their creatures, to enable them to express everything that they are unable to express or normally say in a class.’

Michelle, Teacher,
College du Leman, Geneva

‘Simplicity, creativity and use of the imagination was truly inspiring.' 

Orlando Rivera, Principal
American School of Bilbao, Spain